Filmmaker Maurits Wouters is awarded a PhD with his artistic interpretation of an old railway track
A Personal Trajectory
‘From the start of my artistic PhD, I have been interested in analog home video. I associate it with my childhood and family history and in this way, I see this research as an investigation of my roots. Furthermore, I wanted to work with a specific collection of home videos; namely the tapes that document the life around ‘Het Bels Lijntje, a lost railway track between Tilburg and Turnhout. This material brought me closer to my family history’, says Wouters.
‘From the start I have been preoccupied with different questions. First of all I wanted to know how people used analog home video to literally “ìmagine” ‘Het Bels Lijntje. In 1995, analog video got replaced by it`s digital variant and because of this analog video became a memory in itself. What is the influence of this deprecated medium on the filmed images? How do we look at these analog videos in our digital times and what impact does it have on the experience of watching? My interest in analog home video is intricately linked to the questions I ask myself about my own profession as a filmmaker; how can I as a young maker of films, use this medium in an artistic way? ‘
‘Analog home video doesn’t exist as such. It is more an amalgam of different carriers of memory in which it’s not the cultural practice of filming that forms the fundament. It is the video tape itself, as carrier, which becomes important’, Wouters clarifies.
‘On top of that the videos are of inferior quality which is also an important characteristic. When a video gets copied, a part of its content gets lost. Such a tape wasn’t made to be copied, read and shared; one only wants to cherish the memory. Upon inquiry, the owners of these tapes admitted that they had hardly been looked at. They are only an object of remembrance, rather than a historical document. Often people kept their tapes in boxes that looked like the leather cover of a book. In this way, VHS seemed the next link within the tradition of storytelling even though that tradition was already finding it’s end point at that time. It seems like the value lies primarily in the act of filming itself, more than in the transferral. This act of filming prevails on the final visible result. ‘
Two experimental films- The Road Back and The Movement of Phill Niblock- form the result of Wouters`research process. In these films the imagination of nature and landscape play an important role in supporting memory.
The films will be presented in CINEMA RITCS, Antoine Dansaertstr. 70, 1000 Brussels, at 5pm on September the 4th. This screening is part of the public defence of Maurits Wouters. The screening is for free, on condition of reservation through
firstname.lastname@example.org (before 1st of September).
About Maurits Wouters
Maurits Wouters is filmmaker and visual artist. In 2009 he graduated from RITCS as a film director, going on to complete his education at the University of Antwerp with a Master in Film and Theatre Studies. Since 2013 he has been working on a PhD in the Arts, with the sup-port of the FWO (Fund for Scientific Research). Wouters’ work exam-ines the limit between film, photography, visual art and installation. His films have been presented, at the Internationall Short Film Festi-val in Leuven, Experimental Media in New York and FID Marseille, among others and archived by Argos Arts Brussels and Anthology Film Archive New York.